21st September 2010

I wish I’d get off my arse and do stuff sometimes.  It’s taken me several months to get around to sending out demos, and of course now I’m faced with a bunch of releases due out at the same time, a la Treatments/Canal Seven, rather than spreading them over the several months we’ve had since 60° South in May.  Ah well.  Here’s what’s happening:

Dungeness is one of a series of dark ambient/drone releases I’ve been working on since the success of Treatments.  The pieces are in a different style.  The eagle-eyed old fans from before Purlieu might recognise Qualia in some form.  A very, very old track from 1999/2000 called Platinum appears in drastically remixed form, plus three recent compositions of synthesised electronic drones.  Bump Foot, the long running Japanese netlabel, are releasing it very soon.  I’ll hopefully have the release date sooner!

1. Carpetless Floor
2. Platinum
3. Hulme
4. Two Colours
5. Qualia

Small Black Box is a more experimental work from earlier in the year, mostly recorded in March and April.  The focus here is on texture, and although some of the pieces contain what could be described as traditional melody and structure, they are not the focus of the record.  Some pieces are 30 second snippets of sound, while others are positively epic.  It’s a bit noisey and a bit disjointed, but I like that about it.  That should be appearing on  Tavern Eightieth very soon too (see what I mean about multiple releases?)

Last up (if you ignore the long-announced release of The Curse of Kevin Carter in October) is a record which may need a little more in the way of introduction.  An idea long in the works and finally happening is a series of 3″ CDr releases on Jerky Oats Records called Lemony Nougat.  The name is an anagram of La Monte Young, which should give you an idea of what the theme is.  If all goes to plan, ten artists will each release a disc as part of the series, an contribute up to 20 minutes of ambient/drone music.  The material on each release will be new and exclusive, and the releases are very strictly limited to 20 copies, each handmade in special minimalist artwork on black card.  I’ve been incredibly lucky to get some amazing artists involved in this, some I’ve worked with before and some not.  Already confirmed are Jack Anderton, Off Land, Cubus, Perfect Writing and Noisesurfer, plus my own project with my girlfriend, Merganser.  I’m really excited about the whole project as it should be a lot of fun, and should get me to work with a range of great musicians.

And, of course, to get the ball rolling, is a release from Second Thought.  Torn Vision is an experimental drone piece by music, seventeen minutes of a flute loop which is morphed and shaped into a drastically different form.

As previously mentioned, I’ve sent out some CD demos to labels recently, and part of me is hoping if they get picked up, there’s a backlog of releases so nothing else comes out before the end of the year.  I don’t want the releases to get too overwhelming!

All in all, it’s a very exciting and productive time.  Although I’ve now set up a list of things to do that don’t involve making more music, as I’m still about 15 releases behind… Anyway, you’ll read about them in the future, as and when they’re ready.

Safernoc is on its way at some point, I promise!

16th September 2010

Well, we’re only a month away from the next release, The Curse of Kevin Carter, and it’s time to reveal the beautiful artwork from Lucy Wade:

Well, that’s just a thumbnail, anyway.  Full size front and back cover will come with the release.  🙂

The eagle-eyed among you will have noticed the new website design for secondthought.co.uk, which I worked on for a couple of days, hand coding in notepad.  First time I’ve done that.  It brought up a few annoying errors, but I got there eventually.  There are lots of banners for past, present and up-coming releases which you can see by clicking ‘new banner’.  Amongst them you’ll find a cover for something called Small Black Box, which will tentatively be coming out on a netlabel called Tavern Eightieth before the end of the year.  I’ll post more news on that soon.

The glut of releases continues to drop, hopefully, as I’ve begun sending off CDr demos for the first time since… er, pre-Vacuum Road Songs (nobody bothered picking me up for that one anyway).  It’s a strangely liberating feeling, knowing that people around the world will be listening to my music very soon.  So far I’ve been trying to get a few of the stranger, more avant garde and downright strange releases out.  Some of the sounds hark back to my days as recording as 2T, and I’m hoping to get some releases out on some lovely DIY CD-r and cassette labels in the coming months.

In my head, I separate my ‘main’ releases from ‘everything else’ – in this case the ‘main’ releases are the series of themed albums: so far Purlieu, Vacuum Road Songs and the ever-forthcoming Safernoc, plus the album containing more classical-influenced material I’m working on.  These I hope to continue to give wider releases for – CD, maybe some larger distribution.  Everything else exists partially to take part in the DIY label scene, from the netlabels – both new to me and those of my friends – and the CDr and cassette label scenes.  I’m looking forward to working with various people on promoting my music and their labels over the next couple of years.

Live rehearsals continue, as I’m confirmed for a slot at one of the Awakenings shows in Burton On Trent next year (more details to follow).  That will probably be centred around more synth-based material, highlighting my traditional ambient and Berlin School influences, but I’m really interested in doing more gigs as I’m otherwise practising a lot of improvisational stuff which has taken me in both the avant garde and rhythmic directions.  It’s a lot of fun and these rehearsals have provided some recordings of vastly altered tracks.

Anyway, that’s about all the ranting about my music anybody could possibly wish to read, so I bid you farewell for now.  Watch out for live and release news on its way very soon.  🙂

4th August 2010

4th August 2010

So, where do I stand as of August 2010? Well…

Those of you who thought ‘four releases in the last twelve months, that’ll be the last we hear of Second Thought for a while!’ have been distinctly wrong. I’ve been working on music solidly for a while now. Lots of ideas have been presenting themselves and I’ve been taking the project in all sorts of directions. There’s an album of pieces in the Canal Seven vein but more focussed, three in total, all suggesting a different place, called ‘Habitats 1-3’ (more are in the works), which I may have news on at some point. I’ve been working with synths a bit more for what may be a stylistic follow-up to 60° South, although this will be a long way off. I’ve been prodding the dark ambient beast again, and have taken the neo-classical hints I included on Safernoc and been expanding upon them once more, for a future album which is probably so far off I don’t want to think about it just now anyway. Safernoc itself, and an accompanying EP, will be out sooner or later through an online label with a physical release to follow perhaps.

There are also older tracks and collaborations and a hundred other things, but they can wait for the moment…

It’s all this time being unemployed, you see. It gives one time to create and create and create and create and the next thing one knows, a life’s work is completed in the space of a year.

ANYWAY

Most importantly for the moment, my next release!

Second Thought sings The Curse of Kevin Carter is a collection of eight haunted pop songs by Ross Baker. Fragile, lo-fi pieces, where acoustic guitar and pained vocals meet grainy synths and fragmented noise. Cover art by the wonderful Lucy Wade is on its way. The tracklist looks something like this:

01. Six By Nine
02. Green Cliff, Tyre City And Mulpton In Nowhere Land
03. Map Of The Owl
04. Tainted Face, Tainted Heart
05. What’s Wrong, Mr. Blobby?
06. Feed Yourself
07. Incompatibility
08. Oil Leg

It’s coming out on my long-term collaborator and friend Tim Dwyer’s imprint No-Source Netlabel in October. More news on that, and the other thousand releases, very soon.

19th May 2010

My new album, 60° South, is released today through renowned UK CDr label AmbientLive records! “Superb and intricate melodies from this UK artist. Modern, vibrant, yet based deeply in the tradition”

Partially inspired by H.P. Lovecraft’s novel ‘At The Mountains Of Madness’, 60° South is Second Thought’s fourth album (the ‘third’ and ‘official follow-up’ to Vacuum Road Songs is out later this year. Erm), and takes a new synthesizer-driven approach to production, compared to the sample collages of previous releases. This electronic tapestry paints an image of life in the cold antarctic circle. Some tracks reflect the Lovecraft tale’s sense of unease and mystery, while others drift along more pleasantly, reflecting the grand majesty of the Antarctic landscape and the sea that surrounds it.

1. Tekeli-li
2. Ice Shelf
3. Gellert’s Grave
4. Clouded
5. Snow (I)
6. Degrees
7. Return
8. Meltwater
9. Gone Forever
10. Icebergs (I & II)
11. Snow (II)
12. At The Mountains Of Madness

Meltwater has been added to the MySpace music player for your listening pleasure.

This is a rather exciting time for me as it’s the first physical release in almost exactly three years. Thanks to John at AmbientLive for releasing the album, and to everyone for their support over the last few years. It’s nice to be back, properly, after such a long time away from releasing music. And thanks to anyone who buys the album, which can be picked up from the link above. 🙂

Thanks, finally, to Lucy, to whom I dedicate Iceberg II.

24th March 2010

Right, well, there’s lots to report, again!

First up, and most excitingly, ‘Aqueduct’ from the forthcoming album Safernoc is featured on The Future Sound of London’s latest podcast ‘Electric Brain Storms 6: The Most Secluded Place’, which can be bought from FSOLDigital. It’s the third time one of my pieces has been used on one of their mix sets, and as ever they’ve done the piece proper justice, it sounds awesome floating in after the Tangerine Dream piece.

Elsewhere, those following my Twitter will know I’ve completed the synth ambient record I was talking about below. It’s called 60° South, and is inspired by Antarctica, particularly the story ‘At The Mountains Of Madness’ by HP Lovecraft. It’s alternately dark and light and features barely any rhythm. Lots of melodies, though. It should be coming out on AmbientLive Records as a CDr release later in the spring. I am excited about this. Artwork and tracklist can be found on the music page.

Lots more music is brewing too, but I’ll wait for a while before explaining. 2010 has been very, very busy so far!

The new Autechre is awesome, by the way.

3rd March 2010

Two EPs have come out in the last few weeks, bringing Second Thought back into the eyes of the masses. Well, when I say masses…

Treatments came out a few weeks back, on the Silent Flow netlabel, a five track EP of dark ambient/drone/noise electro-acoustic experiment, with sound sources given various ‘treatments’. The work is very different from any of my previous tracks, and acts more as an experiment rather than a standalone piece, but is something I’m very happy with. More tracks in this vein were produced and may appear on future releases. Secondly, and more importantly, Cyclene Records released Canal Seven this morning on their netlabel. Canal Seven is much more traditional Second Thought and has been written about many times before in this blog. I am very happy with it, however, and hope it isn’t the only 30 minute piece I release – more are lined up!

So this is all happy. It’s nice to have stuff going again after all this time away. Three net releases in the last four months is good. I hope to work with both labels again in the future. Meantime, I’ve been working steadily on some synth tracks lately, which are very old school ambient in style, with slight contemporary touches. Not sure what’s happening with these yet but I have some ideas. Safernoc is still on the way, I promise. I have various other bits and bobs to look out for later in the year too…

Until then, you should all listen to Grey Mirrors by The Glimmer Room as it is lovely!

10th Feburary 2010

There’s always a journal entry in February.

So, 2010. Six years since Purlieu now. What do I have to show for it? Not too much at the moment, but that’s all about to change. The promised releases are just around the corner – Treatments is coming out on Silent Flow and Canal Seven on Cyclene in the next few weeks. Treatments is an entirely new direction for me, largely being drone-based ambient, with some noisier elements on a couple of tracks. Silent Flow are putting out the 5 track EP as a free download with their own artwork, my cover can be found here. Canal Seven is the 30 minute track, inspired by The KLF’s ‘Chill Out’ and FSOL’s ‘Environments’ I mentioned in my previous entry.

Both EPs I’m extremely proud of, and both are new things for me, so I can’t wait to unleash them on the world.

Elsewhere, I’ve submitted a remix for an album co-released on my friend Tim’s netlabel No-Source, I’ll let you know what happens there.

And that’s all the weather.

17th December 2009

2009 draws to a close and it’s been a very positive year for me in terms of music. After a lull of what seems like forever, I’ve been writing and producing solidly since the spring and have come up with what is my best material by some distance. Safernoc is the work I’m most proud of, and the release details are still a secret, but could be really exciting. We’ll see.

Up next, however, is an EP called ‘Canal Seven’ on the lovely netlabel Cyclene, who can be found at http://www.cyclene.com. This will be out in January or February 2010. Canal Seven is 30 minute soundscape EP seamlessly mixing electronic ambience, acoustic guitar, spoken samples, field recordings and various other sounds into a unique journey. The EP takes the form of one track, which comes from new material and a couple of older moments, and a lot of samples. After the very performance-led Safernoc (which was composed entirely on keyboard), I fancied going back to this style.

I shall be working with Cyclene later in 2010 for at least one more release, which could be on a larger scale, although maybe not. We’ll see. The guys there are great and it’s nice to have such positive thoughts on my music.

Elsewhere, there’s more music coming out from other sources next year, but that’s hush hush too. And hopefully I’ll be hitting the live circuit.

Happy Christmas and New Year to everyone and I’ll see you all in 2010!

25th November 2009

So, big change all round. The eagle eyed among you will have noticed not only has the secondthought.co.uk website has changed, but the artist description has changed too. I’m looking forward to taking Second Thought in variety of more interesting directions now. I’m working on some different music and different ideas that don’t fit the traditional Second Thought mould from the past. I’m going to keep the main albums (Safernoc news very soon!) released as normal, but look out for some exciting EPs andother such things coming to a netlabel (or two) near you. It’s all a bit secretive, but expect real instruments and vocals on some occasions.

Talking of netlabels, Jerky Oats has seen its second release, an mp3-only download of the live set I performed at AmbientLive Awakenings in Leeds a while ago. The EP can be picked up here.

24th September 2009

The journal entries dried up a bit after that last one, didn’t they?  I’ve been living in Manchester in a largely internet-free world for the last few months, working on various tracks and ideas.  This has led to good things, such as the next album being finished.  It’s not going to be released just yet, but here are some details…

Title: Safernoc

Tracklist:
01. Send More Bees
02. Night Train
03. Barghest
04. Marown Dhoo
05. Savernake
06. Kelpie
07. Cwn Anwnn
08. Moss
09. Vantage Point
10. Timber Wolf
11. Aqueduct
12. Beddgelert

The album is a lot more like Purlieu than Vacuum Road Songs, but not massively like either.  Influences include Edgard Varése, John Cage, Phillip Glass, Max Richter, Luc Ferrari and Marcus Schmickler for a lot of the album, although it’s not all in a pseudo-classical vein – there are a couple of moments like Savernake, and even a couple of tracks which head into styles I’ve never touched on before.

I’m off to start the artwork now.  Get ready for this one, it’s so far ahead of the previous two you’ll barely know it’s me.  I can’t wait to let everyone hear it!